The sculptures in the “Softs” series in nylon and sand represent women, mostly transsexuals have contributed to the development of Brazilian society. In the work “Janaína and the Order”, the honored is the transsexual woman Janaína Dutra, was the first transvestite woman to be a lawyer in Brazil in the late 1980s. She was from the northeast and worked at the government program that helped create laws against discrimination and violence. In the work, a second piece without shoes and called “Ordem” alludes to Janaína's work for justice, equal rights. Several bags in different skin tones recall the characteristic diversity of Brazil. A mixed people, formed by different peoples, foreigners, natives, enslaved. In these sculptures I try to pay tribute and reflect in the field of plastic arts on the history of Brazil and its central characters, those who changed the course of things. The materials, nylon and sand, which I borrow from the 70s American black artist named Senga Nengudi - she is my great reference - help me to materialize these deviant bodies from the gender norm, like the bodies of the trans women I want to portray and be honored. The flexibility of the materials and the different weights provided by the sand bags give me a creative freedom to assemble body shapes that are not identifiable. We know Janaína's story by the title of the work and by the explanation I gave about it. But the most important thing for me, in addition to encouraging people to discover the story behind the title and the work, is the sensations these pockets of sand and nylon of different colors provoke in the viewer's body. What kind of images of different bodies can be seen in the works. And this plurality of possibilities for reading different bodies from the sculptures is the idea about a society where bodies are no longer categorized only as female and male.